Self-titled Debut Album Release Tour Mighty Mighty, Wellington, August 24 Review by Marie Jeanette Davis
File under: Hip-hop, IndieYet another big Friday night at Mighty Mighty bar on Wellington’s much loved Cuba Street. It was here that Tommy Ill brought home his debut album release tour.
Tommy Ill rattles out his message like the smart kid who got together with some mates to rap smart lyrics at backyard parties. Ill has polished, amplified, and graduated that sound. Taking the MC persona onstage and churns out a fun show for the audience, who respond to Tommy and his pals Buck, Shorty-K, and B-Cool, bopping with hands raised.
This reviewer wasn’t so easily impressed. The lyrics are slow and the rhythm is a little weak. For a sound inspired by the Beastie Boys, it would be worth learning more from the pages of their legendary book. No regrets going to the gig though; along with support act 47 Diamantes and music team Golden Axe, the performance definitely got the night rolling.
Tommy Ill is signed with LOOP Recordings.
Finding myself as a new appendage in a newer city, it struck me like a tour bus yesterday that it was high time I absorbed a little Wellington culture. So I did, by heading blinkingly off into the night to see one of my favourite bands… from Christchurch. It had been a while since I’d seen the young scenesters, Bang Bang Eche, in person. Despite splitting a plane with them to Auckland in January, November was the last, where, sharing a stage with Wellington band New Friend, BBE embarked on a whisky fuelled debaucherous, yet comical, set, punctuated by missed timings and mid-song fistfights (Charlie and Zach spent Nike throwing shoes at each other). However, if BBE were a cow, last night’s set with Batman Tiddabades was the cream.
Sidestepping pre-teens with eyes glazed from indulgence at the Homegrown festival, I made my way to Mighty Mighty, and was lucky to get in. The smallish venue was packed to its offbeat and creaking rafters with opshop hipsters, all jiving to the brutish beats of Batman Tiddabades. Despite only forming this year, the boys have built quite an empire. Once they’ve ironed out a few geling issues and manage to drive their grooves from the pocket, they’re truly a force to party with.
BBE appeared around an hour later in a roar of synths and hi hats, and within seconds had toes twitching, heads nodding, pours dripping and floorboards creaking the room over. The kids have definitely permeated the Wellington market with on mass rap alongs and yelps of joy from kids who recognised the opening bars from each of their myspace classics. Four To the Floor evoked waves of fist pumps, and a choral sing along that could have been heard from Masterton. They did, however, grind out as many new tunes as old and their sound showed a new maturity and development. Their new songs are both dancier and punkier, and will sound incredible on record. Here’s hoping that SXSW is going to be the starting gun for future success, and the next time I see them is in an arena somewhere.
:: Tom Darlow
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